"The notion that such persons are gay of heart and carefree is curiously untrue. They lead, as a matter of fact, an existence of jumpiness and apprehension. They sit on the edge of the chair of Literature. In the house of Life they have the feeling that they have never taken off their overcoats."
- James Thurber, My Life and Hard Times
Showing posts with label pirate fantasy. Show all posts
Showing posts with label pirate fantasy. Show all posts

Friday, October 23, 2020

When you need a little motivation

 I'm currently writing the sequel to my fantasy that's already been written and edited and is being queried to agents far and wide. I've been writing this sequel for a long time--it seriously seems like I started it sometime in the Jurassic Age. I'll spare you the horrid details of starting, stopping, outlining, throwing out the outlining, making copious notes, yadda yadda and just say this:

You can't edit a blank page.


via GIPHY

I decided to treat it like the first book, the one that I sat down and made up and followed wherever it took me. By August, I had a decent chunk of it. And then I had an idea...


via GIPHY

November is NaNoWriMo, National Novel Writing Month. Seriously, it has its own website and gift shop. You sign up and promise to write 50,000 words in 30 days. You are encouraged to buddy up with other writers and keep each other pumped up and full throttle forward. Kind of like AA. 

"Hi, I'm Gayle and I'm a write-aholic."

I tried NaNoWriMo once before. Let's just say I did not finish and do not want to look back. But this time is different! This time I'm going to keep my promise! It feels like the only way to finish this book, so I'm motivated.

In preparation, I've been writing several days a week, to get my book into enough shape to get to "The End" by November 30th. I've been managing a little over 6,000 words per week so far, although November will require about 12,000 words in the same time frame. By the way, please send Advil and Aspercreme. 

I'm almost at the halfway point in the book (I did plan for about 100,000 words) and although the story is progressing and the writing is trotting forward, I feel like it doesn't look like I'm almost at the halfway point. It looks like I could either finish the story within two chapters, or write about 200,000 more words and still be wrapping things up.

This worried me A. LOT. Am I spending too much time in the mundane? Is this too simplistic? Should I toss it and start over?


via GIPHY

Today I had a head-slapping realization: the story is fine, it's just not the story I thought I was telling. The characters are on the journey I put them on, but they are on their own path. My job is to keep up.


via GIPHY

I'm both committed to and excited by NaNoWriMo. I'll have something at the end of November. I'll let you know what it is.

Saturday, March 25, 2017

Of pirate girls and dragon wings

The good news about being an author-entrepreneur is that I can write whatever I want. The bad news is, I can write whatever I want. This can be a dangerous thing if your mind tends to wander, as mine does. Do people know me as a mystery author, or a humor author? Where does the Snoopy book fit into all that?

And then there came the day when I was in the shower and I thought, there's not enough books about girl pirates. As usual, I thought I'd write a little diddy, perhaps a novella or a short story, about a girl pirate and be done with it. But we know that's not what happened. Not with my little lets-go-down-the-rabbit-hole, whats-behind-this-door brain.

A full-blown fantasy novel was born, a la The Count of Monte Cristo meets Pirates of the Caribbean. There was a strong-willed young noblewoman and a sexy, dangerous pirate. It was great fun, and yet...

There came a day when I was in the shower and I thought, if I'm writing fantasy, I should have a dragon. I never get to have a dragon and I've always wanted one.

Showers are dangerous.

Just when I was about to toss a dragon into the middle of things, my buddy Jeff Michaels showed up (talk about the winds of Fate!) and reminded me to make the dragon mean something to the story. As lovely as they are, dragons can't just pop into our stories, helter-skelter.

What I ended up with was the first book of a trilogy. Now what?

Now what is that I've been convinced by several pals to query this book to agents. Will I find representation? IDK. Will I find a publisher who will give me at least some of what I want from a publisher (knowing what I know from years of self-pubbing)? IDK. Will "at least some" be enough for me to take the deal? Triple-IDK.

What I will take away from the experience, even if I end up self-pubbing, is an idea of what the traditional world thinks of my work and what they're willing to offer me to get it. Sometimes you want that opinion, that yardstick to measure you. 

I'm getting my manuscript back from my editor in about a week (yes, I still paid a professional editor to polish my words), and I'll start the querying process. We'll see how it goes. Here's my query so far:

Lisette de Lille is not excited to be marrying a local nobleman, but she is shocked when he and his Spanish mistress sell her to the pirate Rocco instead. Rocco is ruthless and seductive, and holds the secret to an ancient curse involving dragons. Lisette will do anything to avenge her kidnapping, even if it means becoming as ruthless and as seductive as her captor. But will she pay the ultimate price, of becoming a dragon herself, to bring judgment to her betrayers, or will her love for Rocco turn her heart from revenge?

In the meantime, if you want to see some of my ideas for characters, dragons, ships and whatnot, I have a Pinterest board that might interest you. https://www.pinterest.com/gaylecarline/pirate-fantasy-novel-ideas/

Thursday, August 11, 2016

She vexes me. Who vexes you?

Now that I have my own office, my writing den, my oasis of wordsmithing (yes, okay, I'm still in love with it), I have been writing A LOT. My pirate fantasy is humming along at over 68,000 words and it's nowhere near the finish line. What is surprising me the most is that I should be in the middle of the book, where I begin to slow down and take forever-effing-long to dig my way out and head for the third act. But this story is zipping along so fast, sometimes I feel like my fingers are in a hurry to catch up with it.

Until now.

My pirate Lisette is on a long journey, through many islands in the Caribbean. (Note: These are islands I have invented because, hey, fantasy here.) She has met many people, some who've been helpful and some who've been harmful. Some have been so harmful, she had to kill them. 

(Because, hey, pirate.)

She is currently on an island to hone her new powers (teaser alert!), to find a possibly hidden treasure, and to use said treasure and powers to exact revenge against the people who betrayed her. I know on this island, she will also encounter someone from her past. I'd say she has enough to do here.

And yet...there is a woman who keeps appearing in the first scene in the village. A tall, elegant woman, with white hair piled high. Regal in manners. Her name is Adelinde Marquez, and she owns the town brothel. I can picture her clearly, and probably saw her in a painting or a movie, but I don't remember where. In my mind, she has her back toward me and is turning. I see about a third of her face. Haughty and cunning. The closest I can get is a mashup of these two:

"Woman in White" by Alfred Henry Maurer
and:

MyAnna Buring, aka Long Susan in RIPPER STREET



When she first appeared, she was going to try to steal Lisette's gold and trap her into working as one of her putas. But that scene didn't work--a lot of drama and action, but it only got in the way. 

I rewrote the scene and had her help Lisette secure lodging for the night. Nope. Too flat. No bueno.

Then I took Madame Marquez out of the story altogether. It left a big hole, big enough to sail any ship of the Jolly Roger through.

Clearly, she belongs here, but doing what? What am I supposed to do with her?

Journal. I must take time away from Lisette to write Adelinde's story, in Adelinde's voice. As much as I'd rather be working on pirates and dragons, I must first find Adelinde's past, her reasons for being a madam, where she wants to be going in her life. I don't know that she will last beyond this meeting on this island. I only know she is necessary.

And that she vexes me.

Any authors out there with vexing characters? Come on over and share them with me. We can cry in our wine together.

Sunday, February 7, 2016

A pirating day

I'm still choosing a cover and refining the jacket copy for Peri's latest adventure, A MORE DEADLY UNION. Currently, I'm striving for a June release date, although I may push it out if necessary. I'm also planning a big, fat launch party. It's been awhile since I had one of those, but as my age advances, I feel the need to celebrate milestones.

Life is short. Celebrate the happy.

In the meantime, I'm still working on my girl pirate book. It's fun to write, because it's like Play-Doh, molding and massaging and creating whatever comes to mind. I'm not sure where the story might go, and the characters and their motivations keep getting stronger, and they reveal secrets to me the more I write them. 

So much so that my first chapter got scrapped, and I'm now writing it all in first-person because Lisette wants to tell this story. I don't know whether it's because she's nobility or just strong-willed, but she's a girl who will do anything to get to her goals, including narrating her own tale.

And then there are the dragons.

Here is the new first chapter of the current work. I hope it whets your appetite.

* * * * * *

When I was five years old, I saw a dragon kill my uncle. This would be unremarkable if dragons existed, but my entire family told me I had a wild imagination and dissuaded me from telling anyone else. For anyone I had told, they tsk-tsked and explained that, poor child, I was so traumatized by witnessing my uncle’s death, I had dreamed up a horrid beast to explain it to my wee five-year-old brain.

When you’re young, parents are always telling you the vegetable on your plate is really magic candy, and it’s midnight on New Year’s when the clock rings eight. You believe them because they are your parents and they are wise and you love them.

So when they said I must have been mistaken and frightened and there are no dragons, I tried to believe it was a knife and not talons that slashed my uncle’s throat, and it was a torch and not a beast’s breath setting fire to his body.

What my parents did not know, what I never told, was that after killing my uncle, the dragon came to me. His image is seared in my mind. He was the size of a horse, crimson and black, with a line of golden spikes down his back to his tail. His coat was not scaled, as the tapestries portrayed them, but silky and long, like luxurious fur.

As he sniffed me, his nostrils widened from narrow slits to rounds, and the crescents in his eyes glowed, matching the waning moon. His breath smelled of ashes, and he brought his tremendous talon to press me against the wall. My body quivered, waiting to be sliced into ribbons, but I faced him. His eyes drilled into mine, searching for something within me.

After some moments of what I can only describe as a combination of terror and excitement, he turned from me and flew away, with a cry that expressed both anguish and victory. Even if I could have forgotten the smell of his breath, the weight of his claw upon my breast, I could never forget that scream.

I am now on the eve of my 18th year, a grown woman, preparing to be a bride, and leaving behind my childhood dreams and fantasies. I must learn to stop looking for great beasts of fire and claw. Still, there is a corner of my heart that keeps watching, both fearing and hoping to see another.

Monday, August 11, 2014

She's so unusual

If you're a Cyndi Lauper fan, you know that's the name of her first album, the one that had four top-five hits. I saw her last week on PBS' Front and Center, performing songs from that album in celebration of its 30th anniversary. I love concerts where the artist tells you about themselves in between songs, and Cyndi delivered that in spades.

She told a story of playing the ukulele and singing to a stadium of 10,000 people and how they all -ALL- booed her. "When you get booed by 10,000 people in a stadium," she said. "ya grow a different kind of a spine."

I love that.

She's on my mind because she's one of those women who has always gone her own way and done her own thing and been unapologetic about whether you like it or not, even though I'm sure she wanted people to like her enough to buy her music because that's what you do as an artist. You create something and tell yourself it's about the creating of the thing and no one else's opinion matters, but then when it's done you YEARN for someone to love what you've created.

I like to think about women like Cyndi when I'm embarking on a new creative voyage, which is what I'm doing. You see, the good thing about being an author-publisher is that you can write whatever you want. The bad thing is that you can write whatever you want. I need to be writing the next Peri mystery. My imagination keeps bugging me to write about a girl pirate.

So I'm writing both at the same time. Don't worry, I can keep them both separate. Peri will not be swashbuckling any time soon.

I'm having great fun with the pirate fantasy. It's violent, it's sexy, it's a lot of things I don't usually write. It's so unlike me, I may have to release it under a pen name. I only have a couple of problems with it:

1. I'm so into the characters and the plot that I'm not paying much attention to the time frame. Does "somewhere around the time of the Spanish Armada" get close enough? Or do I need to spend time taking my reader into The Period? Do I need to anchor the story to some event?

2. I used to read a lot of adventure/fantasy when I was young, but I haven't read any in a while. What if I'm writing one big fat cliché full of clichés? What if it's been done and overdone, by younger and hipper writers?

Here's the premise: Lisette, a young noblewoman, is supposed to get engaged to Eric on her 18th birthday. Their marriage will unite their small island kingdom against Spain. Instead, Lisette is betrayed by Eric and a Spanish girl, Mercedes, so that Spain can claim the island for its own. Lisette is sold to a pirate, Rocco, who plans to sell her to a duke who wants to buy a virgin. Except that Lisette will not go down without a fight. She plans to gather the gold and skills to return to her island and take her revenge on the people who betrayed her.

Does that sound interesting?

Here's a piece of the first chapter (this is a ROUGH draft):

* * * * *

The masked man swung his blade at the small girl with precision, and the girl raised hers in response. A clang of metal echoed through the chamber. Having pushed her assailant back, she grasped the hilt with both hands and moved into him, hewing right and left with each step. He matched her stroke for stroke, suddenly charging in with an uppercut.

Leaping back and to the side, she shielded herself from his sword with her own. In her peripheral vision, she could see the stairs up to her bedchamber. Her bare feet danced to the fourth step, giving her the advantage of height.

He rushed at her, his blade hissing with furious speed, but she parried each movement, attempting to bend him backward and send him down the staircase. Instead, he pressed upward, causing her to climb, backward, toward the higher level.

A sudden pounding at the outer door distracted her. In the briefest of moments, she felt her sword flying from her hand and her legs buckling underneath her. She was forced to the cold marble, the steps carving into her backbone. The man followed her to the ground, his body smothering her own. The thin shirt and leggings he wore could not hide the hardness she felt pushing against her thigh, and she blushed at the excitement of her breasts rubbing his chest.

The only thing separating them was his sword, held sideways at her throat.

“Lisette! Are you all right?”

She pulled her own mask from her face and glared at the man on top of her. “It’s Mama.”

Tossing his sword aside, he removed his mask. “I thought she was visiting her sister.”

His face was still close, his body still caressing hers, still excited. Lisette stared into his blue eyes, curtained with dark lashes, and briefly considered his beauty, then focused on the problem at hand.

“Get off me,” she whispered, then shouted at the door. “One moment, Mama.”

The next few seconds were a scramble to pull her skirt and bodice over her pantaloons and muslin top. Shoving his sword into her fencing companion’s hand, she motioned for him to climb to the bedroom and hide, then ran down the stairs to the door. On her way, she noticed her own blade on the floor and snatched it up. She propped it behind a tapestry, then unlocked the chamber.

“Mama, I thought you were visiting Tantie Elena.”

The elegant, older woman glided into the room as if she were sailing on a cloud, then turned to look at her daughter. Marie’s gaze could be brutal. She could elicit a confession from any of the household help, and often reduced Lisette’s younger brother to tears. Lisette was not immune, but she was still headstrong enough to follow one lie with another in an attempt to escape discovery and its consequences. She forced herself to relax her eyebrows and meet her mother’s glare.

“You are a mess,” Marie said at last.

Lisette pressed her dark auburn curls upward from her face. “I’m so sorry. I was resting upstairs, and the room has been so warm. I’m sorry if I didn’t hear you right away.”

Her mother did not look convinced. “I thought I heard swordplay before I knocked.”

“Swordplay?” Lisette laughed. “Whatever would I be doing playing with swords?”

“Let us not be coy, Daughter. When I caught you last month dancing about in those scandalous clothes, I believe you were warned not to do it again.”

“That is why I did not.”

“Because if you do, your father and I shall lock you in the tower. You understand this, yes?”

“Yes, Mama.” Lisette kept her head down, attempting obedience.

Marie’s face softened, and she put her hand out to touch Lisette’s chin. “My darling Lisette, do not think we are unreasonable. Believe me, locking you away is the last thing we want to do. Your betrothal to Eric will combine our two houses, which will hopefully keep Spain from trying to rule our island. But Eric will not want a wife with such barbaric skills. Your brother is two years away from a marriage match. We could perhaps keep the Spanish at bay for that long, but your marriage saves us from two years of difficulty. You must abandon your rough and tumble hobbies, at least until Eric says ‘I do’.”

Her mother reached into the pocket of her dress and held a piece of silk out to her daughter with a smile. “Happy birthday, Daughter.”

Taking the item from her mother, Lisette unfolded it. Her eyes widened. “Mama, your necklace.” She withdrew a large emerald on a delicate golden chain. The jewel itself was a deep blue-green, so clear that Lisette could see the ocean in its depths.

“I cannot give you much. But this was my mother’s, and her mother’s before her.” Marie seemed lost in her thoughts. “It is our safety net. Never be afraid to use its value to get what you want.”

Lisette wanted to cry, but she smiled instead. “Eric is a good man. I’ll be able to keep this until I hand it down to my own daughter.”

Marie smiled back, her own eyes shining. She kissed her daughter’s cheek, and opened her mouth. “My dear—”

“Lisette,” a child’s voice called from the corridor. A young man burst into the room, scruffy in his ragged clothes and muddy shoes. “Lisette have you seen my mother?”

“Edmund.” Marie’s voice was sharp. “Your mother is at work. You are supposed to be cleaning the stables.”

The little boy backed against the wall, away from Lisette’s mother. The sound of scraping and clattering was heard as the hidden sword hit the floor.

Lisette stared at the sword for a half-second, willing herself to appear calm but surprised.

“Poussin,” she said, calling the boy by her pet name for him. “I told you not to bring your father’s sword along when you play in my room.”

She swept the blade up and cradled the hilt in his hands, staring at him with meaning. The boy feigned contrition. “I’m sorry, Miss Lisette. I forgot.”

The young girl winked, then turned to her mother. “When Gigette was straightening my quarters yesterday, I’m afraid I told him he could play in here. He likes to be with his mother.”

Marie stretched tall and stood, expressionless. She was quiet for a few moments, and Lisette worried that her lie would be discovered. The young girl looked at Poussin. He was nodding and caressing the sword.

Lisette watched Marie’s eyes narrow, then relax. The older woman turned and floated toward the door. “Gigette will be in soon to help you prepare for the party.”

“Yes, Mama.” She watched the older woman leave down the corridor, then shut the door and sighed.

“That lie will cost you,” Poussin said.

“It’s worth every sous.” She smiled and went to the fireplace. A small ceramic dragon sat on the mantle. She opened the gold hinge at its belly and extracted several coins. Placing them in the young boy’s outstretched palm, she told him, “Take the sword to your room. I’ll retrieve it later.”

Opening the door, she guided him out, glancing down the hall to see if her mother was nearby. The way appeared clear, and the sword in the boy’s hand would solidify her falsehood. She closed the door, turned and looked to the top of the stairs.

One lie down, one to go.

She ran upstairs to her room and laid her gift on her dressing table, then peered around. Lucian, her fencing partner, was nowhere to be seen.

“Lucian? Where are you?” She tried to keep her voice low, in case anyone was spying. “Lucian?” She checked under the bed and continued to whisper his name. He was not behind the window drapes to her right, so she went to the left, calling.

A hand reached out of the heavy tapestry and grabbed her wrist, pulling her into the darkness. The other hand wrapped around her waist and pulled her close to him. She could smell his familiar mixture of sweat and smoke from the blacksmith shop where he worked, shoeing horses.

“Lizzy,” he whispered as his face drew nearer.

She pushed him away and moved into the light. “Lucian, stop. Remember who we are.”

“I don’t care. I might not be able to give you a castle, but I can give you a good life. I am good at my trade, and have many customers. We could be happy.” He followed her, spinning her toward him. He eased his hands back to her waist.

“Yes, I’m sure.” She put her hands out to stop his advance. “You would work all day in your shop, and come home to plant your seeds each night. Soon we would have children the way the pantry has mice.”

He smiled, and she could see the mischief behind it. His eyes had a sparkle to them as he leaned in to whisper in her ear.

“There are ways, I’ve heard, to have one’s pleasure and keep children from coming.” His lips brushed her jaw and slid up to her earlobe. “Although, truth, if you were my wife, I would have a hard time leaving our bed.”

He began to kiss her neck, tickling her skin with his mustache and moistening the path with his tongue. As he worked down to her collarbone, she stretched her chin to give him more access. Closing her eyes, her body felt as hot and molten as the forge where Lucian heated his iron. A moaning sigh escaped her and Lucian rose up, his mouth seeking hers.

Grabbing him by the shoulders, she stiffened her arms and stopped him.

“No. We will not do this.” She stepped backwards. “Tonight is my birthday party. At midnight, I turn eighteen and I come into my dowry. I will be betrothed to Eric and we will unite our two houses.”

“Eric.” Lucian spat the name. “Weak-willed, slow-witted Eric? His family has been dangerously inbred.”

“That’s not important.”

“You don’t love him.”

“Also not important.” He was right about everything, but Lisette did not like to speak badly about anyone. “I’m sure in time I’ll grow to love him.”

“He’ll never make you purr the way I do.”

Her hand across his face was immediate and stinging. He glowered at her and turned away. She felt a lump at the pit of her stomach.

“Lucian, I need you to understand.” Her words felt like lead on her tongue. “My family has much wealth, but my brother is the heir. When they are gone, I get nothing. Even my dowry is not my own. The money goes from my parents’ safekeeping to my husband, if they approve of the marriage.”

She walked to the window and looked out at the rolls of greenery that ran down to the cliffs, out to the sea. “On my wedding night, my husband will have my body and my money. All I will have left is my heart. That is mine to keep. If I marry you, then I get no money and I lose my body and my heart. There will be nothing of me left.”

The young man joined her at the window and sat on the open ledge. “I never thought of you losing your heart to me, Lizzy. I always thought it was an even trade.”

He slid down to the balcony below and skipped over the wall to the ground. She watched him go, angry with him for being so wrong for her in every way but one.

* * * * *

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