"The notion that such persons are gay of heart and carefree is curiously untrue. They lead, as a matter of fact, an existence of jumpiness and apprehension. They sit on the edge of the chair of Literature. In the house of Life they have the feeling that they have never taken off their overcoats."
- James Thurber, My Life and Hard Times
Showing posts with label writing conference. Show all posts
Showing posts with label writing conference. Show all posts

Friday, August 18, 2017

If you don't invest in yourself, who will?

I am in the midst of writing two books (possibly three), marketing my latest mystery, agent-shopping for the one book I've completed, and preparing to teach three workshops at September's Southern California Writers Conference. 

As you can tell, my mind is in a complete whirl and the more I try to focus my attention on one thing I could get done, I feel compelled to click on that article about the Best Examples of Payback on some clickbait site.

This is why, instead of completing the form for the latest contest for my book, I clicked on "Why You Should Do Your Yoga Teacher Training at a Yoga Retreat." 

I'm not interested in yoga teacher training. I don't know why I clicked on it, other than work-avoidance. But I do know I'm glad I did. 

I know all the technical reasons to attend the Southern California Writers Conference. There are writing skills to be gained, business savvy to be learned, agents to be approached. 

But the yoga article gave me four new and excellent reasons to attend the SCWC, beyond the physical, to address why you go to any kind of "retreat" for yourself. 


1. You'll connect with like-minded people.


I know you have your writer's group. Or maybe you're an introvert. Maybe you deal with anxiety issues. 

When you attend SCWC, you can't help but meet people and you don't have to be a party animal. One of the nice things about the workshops is that the rooms are all set with tables. You sit around the tables, pull out your notebook (or laptop), and someone is bound to sit across from you and say, "Hi." 

Just say hi back to them, maybe give them a bit of a smile, and continue to write. You are among like-minded people, often people who are introverts with anxiety issues. They understand. 

And if you want to talk about your latest writing, or what you like to read, or what you dream of, we understand that, too. We speak your language.


2. You'll get to fully absorb and immerse yourself into yoga writing.


Think of it--three whole days to do nothing but think, speak, dream of writing. Maybe even three whole days to write. Picture a jacuzzi filled with words. Dip your body in and let them swirl about you. Bathing suits optional.


3. Change old thought patterns and habits.


I hadn't really thought about this one, but it's true. When you are present in the moment, it's easier to recognize when you veer off-road. When you're given permission to focus on your writing, you can see what you do to sabotage yourself (like clicking on random articles).


4. Come back with new, daily rituals.


Well, yes. You've recognized where you're going wrong, and after three days, you will be energized to go out and do it write right. 


*  *  *  *  *


Join us this September in Irvine, or next February in San Diego. 

Immerse yourself. 


Feed your passion. 


Invest in you. 

Here's the link:

http://writersconference.com/la/

September 22-24, 2017. Friday until Sunday. Do it.

I will be teaching three workshops. I hope to see you there! 

Wednesday, September 17, 2014

Busyness as usual

Although I'd rather sit and revel in my vacation, there are squiggles in my calendar that say I have to do stuff. So it's time I get to it.

First on my list is the Southern California Writers Conference (http://writersconference.com/la/), where I'll be teaching an introductory workshop about self-publishing. The focus of the workshop is for those folks on the fence, wondering whether they should take that step. I can't give anyone a magic formula, you know, "if X is True and Y is False, Then Publish." What I can give people is a list of questions to ask themselves and an accounting of what I've had to do.

My hope is that people come away with the ability to make an informed decision.

I love this conference because I consider it a friendly, working conference. I will confess, I haven't been to a lot of other conferences, but the few others I've been to have not tapped into that desire within me to go home and write. SCWC inspires me, goads me, takes me by the reins and gallops me toward finishing my next project.

If you like lists, here is my list of why I like the Southern California Writers Conference:

1. The people are friendly and supportive. You can walk into any workshop, sit down at a table and make 5 or 6 friends. And most of them are friends who will continue to be your friends, post-conference.

2. The workshops give you useful information, whether about the craft of writing or the business of publishing. And if they don't - they encourage you to try another workshop. The rule is that if you get into a workshop and it's not what you expected, you should go to another workshop. You paid for this weekend. You shouldn't feel like any time was wasted.

3. Their "Read and Critique" and "Rogue Sessions" are fabulous. Both of these workshops work the same way: you read some number of pages of your work and get feedback on your writing. The difference between the two is that the Rogue Sessions occur after the evening speaker, starting around 9 p.m. and go until everyone has read. Sometimes they last until 6 a.m. the next morning! The facilitators ensure that the critiques are controlled and remain positive and focused on the work. They really taught me the correct way to run a critique group. Read their rules (http://writersconference.com/la/faq/) and see if you don't agree.

4. The organizers care about whether your conference experience was a good one. They want you to get your money's worth. They are willing to listen to suggestions for future workshops. Michael and Wes want to give you value for your money and time. Read this as proof:

(From the website) - NOTE: Agents wanting to participate contact Michael Steven Gregory only if you're accepting clients. There are plenty of other conferences that provide reps who have no sincere intent of acquiring new clients with free weekends at nice hotels in desirable locales. The SCWC is not one of them.

Here is my one caveat for attending this conference: if you are a very, very serious writer who is intense about your writing experience and general literary discussions, this may not be your conference. We work hard and we play hard. We joke a lot. We're irreverent sometimes. But if you can take a joke or two, if you can hope to achieve our conference goal of "sucking less than you did before you came" then please join us.

Hope to see you in Newport Beach. If not, they have another one in San Diego in February (http://writersconference.com/sd/).

Friday, February 24, 2012

Conference thoughts, and where my mind travels

To start with, last weekend's San Diego Southern California Writers Conference was my best ever, and I really thought I'd already had my best ever, so that's upping the bar a lot. The workshops were fantastic. I don't know that I sat through any clunkers.

I kicked off the conference with Charmaine Hammond's workshop on Your Book as a Business. I couldn't take notes fast enough. She's a fun, engaging speaker, and had so many great ideas for me to try out.

Then I sat in on Lynn Price's workshop about Writing Memoirs - Making Them Care. But wait, you say, I didn't know you were writing a memoir. I'm not. I think I've had a ho-hum life. But I went for two reasons: 1) I have friends who are writing memoirs and ask me for advice all the time; and 2) no matter what I'm writing, I want to make them care. I learned a lot.

I pitched a new book idea at Marla Miller & Jennifer Silva Redmond's Pitch Witches workshop that was incredibly well received (and I'll post more about that on another day). It's a great way to spend 90 minutes - you get one editor and one publisher in a room and tell them what your book is about. They tell you whether you've described it too much, not enough, or whether indeed there is a marketable book in there at all.

There were workshops about why some books get published and some don't. There was another workshop about authors making alliances with other creative types. I carried something away from all of them.

At night, I was in the bar with my friends, Tameri Etherton, Jennifer Carlevatti Aderhold, and a revolving door of other conferees, workshop leaders, and the directors, Michael Steven Gregory and Wes Albers. I had two glasses of wine each evening and yet we still managed to close the bar each night. Tameri and I, along with our friend, Linda Ochocki, went on a field trip. I'm letting Tameri talk about that one on her blog - some day. Every night, I wasn't in bed before 2:30, and every morning I was up by 7:30. I was proud of being able to get my contacts in each day.

One speaker was special to me - Michele Scott. She has worked her tail off in this industry, been traditionally published, small press published and self-published, and is finally beginning to reap her well-deserved rewards. On Sunday, she found out her thriller, Daddy's Home (written as A.K. Alexander), was #8 on the Wall Street Journal's best seller list for Fiction, E-books. It's the only self-published book on the list. This. Is. Big.

Of course, I asked how she did it, and she laughed. "I have no idea!"

This is where the other part of my brain kicked in, and an image appeared. I used to have a beautiful Persian cat who was Satan in black fur. She didn't pull any punches if things were not to her liking. Sometimes I needed to give her a bath, which usually ended up in a bloodbath for me, until I learned a little cat-bather's secret: you wrap their paws with masking tape. If you wrap the tape around their toes, they can't flex them to get their nails out. Masking tape doesn't stick to the fur so it's not harmful.

I would tape her toes on all four feet and pinch the extra tape in front, so she looked like she was wearing clown shoes. Then I'd put her in the tub and watch her flop and flail about before I turned on the warm water. It was funny, and it was retribution for all those times she shredded my hands.

The image of her flopping about in the tub came back to me while Michele and I were talking. I had been taking notes and making plans to try all of these great ways to sell my books, and I will try them out. I've listened to all kinds of authors talk about That One Great Thing that started their books selling. But Michele is the most honest author I know.

"A lot of it is just luck," she told me. "You throw it all out there and see what sticks."

We like to think there's a magic formula. For those who have been successful, they might think their path would work for everyone. At the end of the day, we're all just flailing about like cats in the tub. Some of us give up. Some of us flail harder. And some of us submit to the bath and plan our revenge.

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